Friday, March 8, 2013

COPYRIGHT REFORM IN THE PHILIPPINES

LEAL, MICHELLE D.
2011-0279
What should be the Philippine direction in Philippine Copyright Reform?
            In June 2011, Senator Villar and his colleagues in the Committee of Trade and Commerce in the Senate have submitted Senate Bill No. 2842 which provides certain amendments in RA 8293 or otherwise known as the Intellectual Property Code of the Philippines  primarily to give further protection to intellectual property rights in the Philippines.  Some of the amendments introduced are: "a) giving special copyright considerations for the blind, visually-and reading-impaired persons when reproduction is made in a specialized format and distributed for free; b) improvement in the organizational structure of Bureau of Copyright under the Intellectual Property Office of the Philippines (IPOPHIL); c) strengthening campaign in the fight against illegal downloading of music via the internet; e) Complying with the World Intellectual Property Organization Internet Treaties, concepts of "technological measure" and "rights management information"; f) Expansion of power of Customs Commissioner as regards infringing materials to cover imported and exported protected materials; g) Expansion of rights of producers of sound recordings to include authority to permit and/or restrict public access of the same; h) Introduction of the "double the damage" under certain circumstances to increase penalty imposed against infringers and thereby dissuade future infringers; i) Insertion of provision of disclosure of information to provide notice to owners of such copyright of any discovered copyright infringement to provide owners the option to take appropriate actions to enforce his / her own rights; j) new section has been inserted mandating formulation of IP policies in schools, universities and other IP-creating institutions and k) lose restrictions on non-profit libraries by allowing them to make limited copies rather than just one copy of a published work."[1]
            In United States, the music and movie industries are going after Internet users they accuse of swapping copyrighted files online to focus on education and awareness and redirection to legal and authorized services. The Copyright Alert System was put into effect this week by the five biggest U.S. Internet service providers — Verizon, AT&T, Time Warner Cable, Comcast and Cablevision — and the two major associations representing industry — the Motion Picture Association of America and the Recording Industry Association of America. Under the new program, the industry will monitor "peer-to-peer" software services for evidence of copyrighted files being shared. Each complaint will prompt a customer's Internet provider to notify the customer that their Internet address has been detected sharing files illegally. Depending on the service provider, the first couple of alerts will likely be an email warning. Subsequent alerts might require a person to acknowledge receipt or review educational materials. If a final warning is ignored, a person could be subject to speed-throttling for 48 hours or another similar "mitigation measure."[2]
            Last February 28, 2013, President Aquino has signed the amendments into the law where the new statute denominated as Republic Act 10372 entitled “An Act Amending Certain Provisions of Republic Act No. 8293, otherwise Known As The ‘Intellectual Property Code of the Philippines,’ and for other purposes” as government’s campaign against IP pirates, infringers and criminal syndicates would be strengthened where various comments have been raised by various groups and individuals. 
Officials of FILVADRO (Filipino Visual Arts and Design Rights Organization), the Filipinas Copyright Licensing Society, Inc. (FILCOLS), and the Filipino Society of Composers, Authors and Publishers, Inc. (FILSCAP) had met with Senator Manny Villar, and personally submitted and discussed their organizations’ respective position papers and proposed amendments to the copyright law. According to them, the Philippines is the only country in Southeast Asia that has a provision for resale rights; however, it has not been able to successfully enforce the provision in favor of the artists or the copyright-holders since the IP Code’s creation in 1997 based on an informal survey conducted by FILVADRO between 2008 and 2011 among its constituents.
            The contested provision is Section 200 titled “Sale or Lease of Work” which states that: “In every sale or lease of an original work of painting or sculpture or of the original manuscript of a writer or composer, subsequent to the first disposition thereof by the author, the author or his heirs shall have an inalienable right to participate in the gross proceeds of the sale or lease to the extent of five percent (5%). This right shall exist during the lifetime of the author and for fifty (50) years after his death.”[3] FILVADRO crafted its proposed amendments to Section 200 of the IP Code based on the existing practices in the United Kingdom and Australia with regard to resale rights. The proposed amendments include the identification of the liable individuals who shall pay for the resale rights, mandatory reporting of a resale transaction to FILVADRO, and the assertion that resale royalty is a debt due to the visual artists or the copyright-holders.[4]
            Moreover, The confusion arose from the deletion of two provisions in the old law limiting the bringing in or importation of such products for personal use to only three copies. Under the IP Code amendments, Filipinos returning from abroad can bring in more than three (3) copies of legitimate copyrighted works. Under Section 190.1 of the present RA 8293, importation for personal purposes means that you are only entitled to import in the Philippines up to three (3) copies of copyrighted works in your personal baggage. Once imported, the present law also states that such copies cannot be used to violate the rights of the copyright owner, or else you will be liable for copyright infringement (Sec. 190.2). By deleting these provisions under the amendment, there is no longer any limit to the number of copies that can be imported. Also, importation shall not be considered copyright infringement if it falls under the general exceptions which includes fair use (Chapter VIII, Sec. 185 IP Code).
            Contrary to the view of Intellectual property lawyer J.J. Disini, this means that an IPR owner may send notice to the Bureau of Customs banning the importation of all its products. We cannot assert the intentions of the Congress.  On the other hand, those in favor of  said deletion of Sections 190.1 and 190.2 states that in fact such deletion allows for religious, charitable, or educational institutions to import more copies, for as long as they are not infringing or pirated copies, so that more Filipino students in the country may use such works.
            Cagayan de Oro City Rep. Rufus Rodriguez, a principal author of the bill, added that RA 10372 does not criminalize “jail breaking,” or the practice of tweaking a communications gadget or circumventing technological measures. He pointed out that what is prohibited is the illegal downloading of copyrighted works as this would amount to violating a copyright.[5]  The amendments require that you first be found guilty of copyright infringement, and that is the only time that jailbreaking or circumvention of technological measures increases the imposable penalty and damages that can be awarded by the courts. You still need to be found guilty of copyright infringement, as jailbreaking is merely an aggravating circumstance that increases the penalty.
            Another cause of confusion is contrary to the constitutional principles for copyright owners as shown by JJ Disini, University of the Philippines College of Law professor, pointed out that one new provision that gave him serious concern was the expanded power under Section 7 (D). It gave the IPO Director General and Deputies Director General the new power to: Conduct visits during reasonable hours to establishments and businesses engaging in activities violating intellectual property rights and provisions of this act based on report, information or complaint received by the office. This clearly shows an invasion of privacy.
            Fair Use Exceptions to Copyright Infringement are now Applicable both to Copyright and Related Rights. A single song can be the subject of many IP rights. The composer, lyricist, etc., has “copyright” over the song, while producers, performers, and broadcasters have “related rights” over it. Under the present IP Code, there are limitations to copyright, which do not apply to related rights. The Bill in fact broadened such limitations and exceptions and narrows down what acts constitute copyright infringement as to related rights. The amendment of Sec. 212 of the IP Code in fact reinforces the general exception of fair use for infringement of related rights.
            Moreover, the amendments to the IP Code also propose several provisions which are beneficial to copyright stakeholders, the creative industries, and the country in general, namely grant of enforcement in order to further protect ordinary citizens as well as Filipino artists and creators. [6] Hence, the future of Copyright in the Philippines may be of advantageous and be of a disadvantage depending on the point of view and to what background each one is coming from.  Above all, we are hopeful that such would be mutually beneficial for the people and the government. 
 
 


[1] http://www.pnoynews.com/2011/06/sen-villar-files-bill-amend.html
[2] Music, movie industry to warn copyright infringers. February 27, 2013. http://www.philstar.com/entertainment/2013/02/27/913781/music-movie-industry-warn-copyright-infringers
[3] http://www.lawphil.net/statutes/repacts/ra1997/ra_8293_1997.html
[4] http://www.talk.com.ph/filvadro-calls-for-copyright-reforms-in-philippine-law.html#
[5]http://www.philstar.com/business/2013/03/08/917004/p-noy-signs-ip-code-amendments
 
[6]http://www.abs-cbnnews.com/focus/02/15/13/ipoph-ip-code-amendment-gives-filipinos-better-access-copyrighted-works-abroad

No comments:

Post a Comment